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Superhero meaning making is a site of struggle. Superheroes (are thought to) trouble borders and normative ways of seeing and being in the world. Superhero narratives (are thought to) represent, and thereby inspire, alternative visions of the real world. The superhero genre is (thought to be) a repository for radical or progressive ideas. In the superhero world and beyond, much is made of the genre's utopian and dystopian landscapes, queer identity-play, and transforming bodies, but might it not be the case that the genre's overblown normative framing, or representation, serves to muzzle, rather than express, its protagonists' radical promise? Why, when set against otherwise unbounded, and often extreme, transformation-human to machine, human to animal, human to god-are certain categories seemingly untouchable? Why does this speculative genre routinely fail to fully speculate about other worlds and ways of being in those worlds? For all their nonconformity, superhero stories do not live up to the idea of a radical genre, in look, feel, or tone. The mainstream American superhero genre, and its surrounding discourses, tells and facilitates an astonishingly seamless tale of opposing ideologies. But how? Recovering the Radical Promise of Superheroes: Un/Making Worlds serves a speculative response, detailing not so much a hunt for genre meaning as a trip through a genre's meaningscape. Looking anew at superhero meaning-making practices allows a distinct way of thinking about and describing the creative, formal, and ideological conditions of the genre and its protagonists, one removed from corralling binaries, one foregrounding the idea of a synergy-often unseen, uneasy, and even hostile-between official and unofficial agents of superhero meaning and one reframing familiar questions: What kinds of meaning do superhero texts engender? How is this meaning made? By whom and under what conditions? What processes and practices inform, regulate, and extend superhero meaning? And finally, superhero narratives present a new question: How might we reimagine its agents, surfaces, and spaces? Centering the experiences and practices of excluded and marginalized superhero fans, Recovering the Radical Promise of Superheroes reveals that genre meaning is not lodged in one place or another, neither in its official creators or fans, nor in "black and white" conservatism or in a "rainbow" of progressive possibilities. Nor is it even located somewhere in the in-between; it is instead better conceived of as an antagonistic, in-process nexus of meaning undergirded by systems of power.

Superheroes in literature --- Superheroes --- History and criticism. --- Philosophy.

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Alors que les héros de l'imaginaire populaire apparaissent comme des humains avec des pouvoirs spéciaux, cet essai s'interroge sur les secrets de leur jouissance et de leur sexualité. Il étudie notamment les personnages des Schtroumpfs, Batman, James Bond, Tarzan, Wonder woman, l'homme invisible, captain America, King kong, les Marx brothers ou encore Conan. ©Electre 2020

Superheroes in literature --- Sex in literature

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Réflexions sur les dimensions mythologique et sociologique des superhéros des comics. Les auteurs analysent notamment les mécanismes qui permettent aux lecteurs ou aux spectateurs de s'identifier à des personnages qui transcendent l'humanité ordinaire. ©Electre 2015

Mythologie --- Mythology --- Superheroes --- Cartoon characters --- Comic strip characters --- Superhéros --- Personnages de bandes dessinées, dessins animés, etc. --- Superhéros --- Personnages de bandes dessinées, dessins animés, etc. --- Superheroes. --- Comic books, strips, etc. --- History and criticism --- Psychological aspects --- Superheroes in literature

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"[S]uperhero comics and science fiction...can and do function as transmission sites for what David Odorisio has called the "new gnosis." Superpowers are real. So are the altered states of knowing and excessively weird paranormal phenomena or "special effects"...that often lie behind the conception and within the very artistic execution of these genres on the page, on screen, and in life. This is, by far, the most important resonance between [my own Mutants and Mystics] and this book-the gnostic transmission. I would immediately add that the vast, vast majority of such psi-fi gnostics will never be known as such. They exist silently in the margins of the culture, which, paradoxically, is also somehow the center." -Jeffrey J. Kripal, from the Afterword Superhero phenomena exploded into 20th- and 21st-century popular culture by way of the visual medium of comic books. In an increasingly secular (yet spiritual) culture that has largely renounced "the gods" (and even religion), what does the return of the superhero through our own pop cultural mythologies say to us-or even about us? This collection of essays from leading and up-and-coming scholars in the fields of comparative mythology and depth psychology considers the return of the superhero as representative of our own unique emergent modern mythology: a wildly diverse pantheon that reflects back to us our most far-reaching hopes and (im)possible (super)human desires. In placing the interpretive tools of comparative mythology and depth psychology alongside the comic book phenomenon, a super-powered palette emerges that unveils the hidden potential of modern readers' own heightened imaginations. The essays in this anthology examine select comic book and superhero characters from the "Silver Age" 1960s through contemporary 21st-century adaptations and innovations, as readers are invited to discover and uncover what the (re)emergence of these perennial gods and goddesses have to say about our own secret super selves today. David M. Odorisio is Associate Core Faculty and Co-Chair of the Mythological Studies program at Pacifica Graduate Institute, USA. He is editor of Merton and Hinduism: The Yoga of the Heart (2021) and co-editor of Depth Psychology and Mysticism (2018). David teaches in the areas of psychology, religion, and comparative mysticism, and has published in numerous journals in the fields of Jungian and transpersonal psychology.

Psychology --- Religious studies --- Sociology of culture --- populaire cultuur --- psychologie --- religie --- Superheroes in comics.

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Cinéma, séries télévisées, romans, jeux... les super-héros, nés il y a quatre-vingts ans avec l'apparition de Superman, ont envahi la culture populaire planétaire. Loin d'être un simple produit de divertissement, le genre super-héroïque a été pensé dès son origine comme un outil politique par des auteurs issus de milieux modestes. Captain America a ainsi été créé par deux auteurs juifs pour corriger Hitler dans des comics avant même que les Etats-Unis n'entrent en guerre, alors que Wonder Woman a été pensée pour promouvoir l'émancipation des femmes.D'autres super-héros ont rapidement eu pour fonction de faire croire à l'existence d'un futur radieux à portée de main dans lequel le modèle démocratique se répandrait sur l'ensemble du globe pour triompher des tyrannies " féodales " totalitaires. Plus tard, de nouveaux personnages plus troubles ont symbolisé une Amérique en plein doute, frappée de plein fouet par la crise pétrolière et la défaite au Vietnam, puis le 11 septembre 2001.Evoquant tour à tour Superman, Batman, WonderWoman, Captain America, Namor, l'Escadron suprême, Black Panther, Luke Cage, Green Arrow, Red Sonja, Howard the Duck, Punisher, Iron Man, les super LGBT et Wolverine, cet ouvrage se propose d'explorer les discours politiques qui se cachent derrière le masque des surhumains.

Super-héros --- Communication en politique. --- Aspect politique. --- Aspect social. --- Super-héros --- Histoire. --- Superheroes --- Popular culture --- Communication in politics --- Political aspects. --- Social aspects.